在這個小組中，我們討論了兩個主題：紡織品的圖案和虛構的未來。 我們著迷於泰雅族傳統的編織圖案和從母親遺傳給女兒的圖案紡織品樣品。 我們試圖創建一個包含電子織品的未來泰雅紡織品的樣品。
In this group, we dealt with two topics: Pattern of textiles, and Fictional future. We were fascinated with the Atayal traditional weaving patterns and the pattern textile samples that gets inherited from mother to her daughters. We thought of creating a version of future textile samples of Atayal, that incorporates eTextiles.
Focus Group Members:
Martin De Bie
Audrey Briot
Tincuta Heinzel
Ru-Ping Chen
MeiFan
Ciwas Yuli
Mika Satomi
泰雅電磁場刺繡 Atayal EMF circuit embroidery
野桐工坊的Tajima電繡機正在使用Karl Grimm的導電銅線製造碎形天線
A fractal antenna embroidery is producing by a Tajima embroidery machine at Lihan Workshop
利用Tajima電繡機和導電縫線，並以泰雅菱紋為視覺基礎，一個兼有泰雅紋飾和功能性的方形線圈形狀的柔性天線原型被製作出來。菱紋在泰雅語有眼睛之意，而眼睛代表人的靈魂，亦有表示祖先的意思，此「天線」收集到的電磁波隨後被一個裝置在棉布上的放大電路晶體輸出為音波，象徵了兩個不同的社群對「不可見了力量的共同詮釋」。此組電繡作品由野桐工坊的香香和馬丁一起完成。
Combining the machine embroidery and conductive threads, as well as the Atayal diamond pattern, a prototype of a flexible antenna with both Atayal ornamentation and functional EMF antenna with square coil shape was made. The diamond pattern refers eyes in Atayal culture, and the eyes represent the soul of a person, as well as the meaning of ancestors. The EMF collected by this “antenna” are then output as audio waves by an amplifier circuit chip installed on the cotton fabric. This piece symbolizing how two communities intemperate the same concept “the invisible force”. This work was done by Xiangxiang from Lihan Workshop and Martin De Bie.
香香、佐藤美香、奧黛麗·布里奧特正在活動中心搶修一台織機，以期在發表日前完成他們想要完成的電子織品原型。
Shang Shang, Audrey Briot and Mika Sotami were trying to fix a problematic loom, in order to make the e-textile prototypes they have planed to make before presentation day.
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woven optical fibre done by Audrey Briot -
woven optical fibre done by Audrey Briot -
glowing in dark woven Atayal pattern by Audrey Briot -
woven optical fibre done by Audrey Briot
新娘腰帶 Wedding Belt by Tincuta
Circular eTextile Sample Book
佐藤美香Mika Satomi的大部分時間都花在學習如何操作傳統的泰雅地織機上，並且還嘗試了一些構想，例如在編織過程通過導電縫線將LED電路與圓形織物結構合併。 活動結束後，佐藤美香甚至將她在野桐工坊的住所延長了幾天，以提高她操作這台傳統的泰雅式地織機的技能。
Mika Satomi spent most of her focus on learning how to operate the traditional Atayal ground loom and has also tried some ideas to merge LED circuit with it by implementing conductive threads to the circular woven fabric structure during the weaving process. After the event, Mika Satomi even expanded her staying in the Linhan Wrokshop for few more days in order to increase her skill of operating this traditional Atayal ground loom.
Glitch Embroidery
通過以數位方式破壞Tajima電繡機器的繡圖文件，損壞的文件會導致此「故障的刺繡」，從而在織物上形成預期之外的繡花圖樣。 「故障」是Nukeme創作的主要探索之一。 在工作坊中，他試圖破坏帶有泰雅菱形紋的Tajima檔案，並觀查其產生出的刺繡結果。
By destroying part of the embroidery file for the Tajima machine digitally, the broken file lead this glitch result in physical embroidered pattern on fabric. Glitch is one of the major exploring in Nukeme’s work. In the workshop he tried to break a Tajima file with Atyal diamon pattern and have the unexpected glitched physical result.
